+ Sarah | 18 | America

MBTI type: INTJ
horoscope: Scorpio
house: Gryffindor

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I James Moriarty


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quote
❝ Do not go gentle into that good night. Rage, rage against the dying of the light. ❞
- Dylan Thomas

One Less Mouth to Feed

(A short screenplay I wrote a while back)

In the year 2070 population has grown out of control. To save humanity from overusing its resources the government has implemented a law to discourage couples form procreating. If a couple wishes to conceive one must die to make room for their baby in the world. 

INT. HOSPITAL NIGHT

A couple, Drew and Kate Wilson, sit in the delivery room after the birth of their child. They are spending their last moments together before DREW enters the atomizing chamber.

DR. ROSLIN

              Your child is in perfect health. Have

              you decided upon a name?

KATE

              Not yet. May we see her? I’d like her

              to get to know her father before he…

DREW takes KATE’S hand and squeezes it.

DR. ROSLIN

              Of course. She’ll be right in.

DR. ROSLIN exits the room and comes back with the baby. He gives the baby to DREW.

DREW

(stroking baby’s

head)

              She looks just like you.

The baby’s face scrunches up as it starts to fuss.

KATE

(laughs)

              She has your angry face though.

DREW and KATE laugh for a minute before they return to their somber mood.

DR. ROSLIN

              I just want to inform you that you

              have an hour left, starting now.

DREW

              Thank you.

DR. ROSLIN leaves the room, closing the door behind him.

KATE

              Thank you? You’re going to thank

              that man for giving you only an

              hour with your child?

DREW

(sighing)

              Kate, there’s nothing we can do.

KATE

(looking

away)

              Isn’t there?

DREW puts his hand on KATE’S leg. KATE continues to look away from DREW.

DREW

               I thought we already had this

              conversation.

KATE

              Oh, the conversation in which we

              decided you were going to die?

              That conversation?

DREW

              It’s for the best. You’ll be a

              better parent than I would.

KATE

              That’s bullshit and you know it.

DREW

              Kate…

KATE

              Don’t. Just, don’t.

KATE and DREW sit in silence. The baby begins to fuss again.

DREW

              Do you want to hold her?

KATE takes the baby from DREW.

KATE

(talking to

baby)

              It’s not fair, is it? They’re going

              to take your daddy away from you.

              You will never see him again.

DREW

(angrily)

              Kate! What, would you rather throw

              her in the atomizing chamber?

KATE

              What the hell is wrong with you? Of

              course not! Put me in there!

DREW

(mouth set in

grim line)

              That’s not an option.

KATE

              It is too! You’re just being selfish!

DREW

              Kate, I love you too much to allow

              that to happen.

KATE

              What, and I don’t love you? You don’t

              want to go through the grieving pro-

              cess, but you’re more than happy to

              put me through it! That’s selfish!

DREW

              It’s sacrifice!

KATE

              It’s an excuse!

KATE stands up and walks to the other side of the room, facing the wall.

KATE

              You never even let me have my say.

              From the day we were married you

              told me you’d be the one to die.

DREW

              I’ve been ready for this my whole

              life! I’ve been preparing myself

              since my mother died. My father

              told me I had to be the one to do

              it, and I listened!

KATE

              And what about me, huh? Have you

              seen my mother? She’s never been

               the same since my father died!

DREW

              You’re stronger than I am. You’ve

              been through war.

 

KATE

              What does that have to do with

              anything?

DREW

              All those nights I sat alone at

              home, watching the news. All those

              names and faces that flashed on

              the screen, and each night I

              would prepare myself to see yours.

              I would prepare myself to see

              your picture with the caption,

“DECEASED” in big bold letters! I

can’t go through that pain again,

I can’t! You can call me selfish,

but that’s not what I am.

KATE

              Then what are you?

DREW

              A coward.

KATE

(growing

frustrated)

              So what is this? Revenge for my en-

              listment? You want me to feel the

              pain you felt? Is that it?

DREW

              That’s not what I meant!

KATE

              It sure sounds like it.

A KNOCK comes from the door and it slowly opens to reveal DR. ROSLIN.

DR. ROSLIN

              Sorry to interrupt. I have some

              papers that need signing when you

              are ready.

DREW

              It’s alright. You weren’t inter-

              uppting anything.

KATE shoots DREW a dirty look. DR. ROSLIN hands DREW the paperwork and DREW flips through it.

DR. ROSLIN

(leaving the

room)

              If you have any questions just

              let me know.

KATE

              Drew–

DREW cuts off KATE before she can say any more.

DREW

              Please, we don’t have much time

              left. Can we stop arguing?

KATE stares at DREW skeptically before nodding.

DREW (CONT’D)

              Do you remember when we first met?

KATE

              You nearly ran me over with your

              car.

DREW

              Nearly.

KATE

              I was so angry at you. I was a-

              bout to put a dent in your car.

DREW

(laughs)

              I remember. You yelled string

              after string of cuss words at me.

              I asked you how I could make it up

              to you, and you said-

KATE cuts him off and finishes the sentence.

KATE

              Walk into traffic.

DREW

              The least I could do was buy you

              a cup of coffee.

KATE

              And I don’t even like coffee.

DREW

              And you didn’t like coffee. I was

              afraid you were going to throw it

              in my face.

KATE

              I contemplated doing that.

DREW

              When you called me the next day I

              thought you were just going to

              yell at me some more. But you ap-

              ologized. I was so surprised.

KATE

              Then I felt obliged to buy you

coffee.

DREW

              And that’s how it all started.

KATE

              That’s how it all started.

DREW and KATE look down at the baby who is now sleeping in KATE’S arms.

DREW

              Promise me when she’s older you

              won’t let her be the one to die.

KATE

              I can’t be the one to make that de-

              cision for her.

DREW looks down and sadly shakes his head.

DREW

              What do you think she’ll be like,

              when she’s all grown up?

KATE

              Just like you, I imagine.

DREW

              I hope not. I hope she’s just like

              you.

KATE

              Why?

DREW

              I’m not exactly a good man.

KATE

              You’re good enough.

DREW

              I wish I could watch her grow up.

KATE

              You could…

DREW

              Kate…

KATE

              I’m just saying.

DREW

              Well don’t.

KATE

              It’s not too late…

DREW

              Kate, stop. Now.

KATE

              I’m sorry.

DREW

              It’s okay.

DREW and KATE sit for a moment in silence.

KATE

              So what are we going to name her?

              I was thinking Andrea, since it’s

              similar to Andrew…or even Lily,

              after your mother…

DREW

              What about Kate?

KATE

              That’s ridiculous. It breaks tra-

              dition. I’m not the sacrifice.

DREW

              So? Tradition doesn’t matter here.

KATE

              We still have time to decide.

DREW

              Not a lot.

KATE

              What’s the paperwork?

DREW

              For me. For the atomizing chamber.

KATE

              What about for the baby?

DREW

              That comes after.

KATE

              Why not do it now? While you’re still

              …here.

DREW

              They want you to learn how to do

              things on your own. With raising the

              baby, I mean.

A KNOCK comes from the door and DR. ROSLIN enters the room.

DR. ROSLIN

              Have you begun filling out the pap-

              erwork?

DREW

              Not yet.

DR. ROSLIN

              Do you need any help?

DREW

              Yeah, I could use some.

KATE

              May I excuse myself?

DR. ROSLIN

              Of course, but what for?

KATE

              I don’t want to watch him fill

              those out.

DR. ROSLIN

              Here, let me help you out.

DR. ROSLIN and KATE stand. KATE hands the baby to DREW. DR. ROSLIN opens the door for KATE and escorts her into the hall.

DR. ROSLIN

(CONT’D)

              Now, where were we…Ah. If you

              could just read this section and

              sign here, here, and here…

A loud THUD comes from out in the hallway.

DREW

              Did you hear that?

DR. ROSLIN

(slowly

standing)

              Why, yes, I did…It sounded like

              it was coming from the…No!

DR. ROSLIN runs to the door and out into the hallway, where a heavily locked metal door was open.

DREW

(from the

doorway)

              What’s wrong?

DR. ROSLIN ignores DREW and runs back into the room. He stops in front of the atomizing chamber and stares through the window in the door. DREW, picking up on what’s going on, rushes over and pushes him aside to look. KATE looks out at them from inside the chamber. The machine has begun to start up.

DREW (CONT’D)

              Kate!

DREW begins to slam his free hand against the door.

KATE

              Take good care of the baby.

DREW

              Kate! Get out of there!

DREW turns to DR. ROSLIN.

DREW (CONT’D)

              Get her out of there!

DR. ROSLIN

              I’m sorry, but there’s nothing I

              can do. Once the machine has

              started, it locks everyone else

              out.

DREW

              Get somebody! Break it down! Do

              something!

DR. ROSLIN

(putting hand

on Drew’s

shoulder)

              I’m so sorry for your loss.

DREW looks at DR. ROSLIN with wide eyes before turning back to the atomizing chamber door. DREW begins to slam on the door again.

DREW

(crying)

              Kate!

KATE

(tearing up)

              I’m sorry. I love you.

DREW begins crying and shouting louder. The machines turns completely on. KATE’S body begins to disintegrate. DREW and the baby are stunned silent as they watch KATE’S body disappear. DR. ROSLIN pulls DREW away.

DR. ROSLIN

              The hospital would like to express

     its condolences.

DREW

              Kate…

DR. ROSLIN

              Yes, Mr. Wilson, we are very sorry.

DREW

              No, Kate is her name!

DR. ROSLIN

              I’m sorry?

DREW

(growing

louder)

              The baby’s name is Kate!

DR. ROSLIN

              Oh! Yes sir, of course.

DREW looks down at baby, smiles and strokes her head.

DREW

(whispering)

              Her name is Kate.

THE END.

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